178 x 123 cm. La présente œuvre fait partie d’une série de 38 toiles ovoïdes du même genre qui se déclinent en différentes couleurs et parfois recouvertes de paillettes. LOGIN. Painting. Photo: Mike Bruce, Installation view with Lucio Fontana, Concetto spaziale, La fine di Dio (1963; left), and Maurizio Cattelan, HIM (2001; left), Artwork, left to right: © Fondazione Lucio Fontana, © Maurizio Cattelan. Lucio Fontana’s actions against the holy space of the canvas could be also seen as vandalism but rather they are a gesture to free and open up the history of painting. Login in to view item. signed and titled on the reverse. Provenance. Lucio Fontana (1899-1968) , Concetto spaziale, La fine di Dio. Concetto spaziale, La fine di Dio (63-FD.17)(Concept spatial, La fin de Dieu) En 1963-1964, Lucio Fontana réalise un ensemble de tableaux, les « Fine di Dio ». On November 12, Christie's New York will offer Lucio Fontana's Concetto spaziale, La fine di Dio. S.D.C. Cosmic. I Concetti spaziali. II, Milan 1986, p. 469, no. Concetto spaziale, La fine di Dio. 184, illustrated, Angel Crespo, ‘El pensamiento y la obra de Lucio Fontana’, Forma Nueva/el Inmueble, No. Browse upcoming and past auction lots by Lucio Fontana. El fin de Dios) below mid-estimate. Realized Price +95%. 701/8 x 48½in. Executed in 1963. II, Milan 2006, p. 659, no. Olio su tela, 178,4 x 123,2 cm. La toile est peinte à l'huile de manière monochrome. L'anno successivo appoggia il … Lucio Fontana. The Darkness. Home Dopo Modigliani, è record anche per Fontana. concetto spaziale, la fine di dio signed; titled on the stretcher; signed on the reverse oil on canvas 177.6 by 123cm. Dipinti. Auction Venue/Sale Sale Date. La fine di Dio, 1964. Le opere pittoriche di questa sezione sono tutte realizzate su telai ovali della stessa dimensione e si distinguono per le costellazioni di "buchi"e/o squarci e/o graffiti che in alcuni casi interessano solo parte della tela monocroma, in altri ne caratterizzano tutta la superficie ricoperta di colore ad olio (a volte anche da lustrini). The exhibition puts in play two key artworks by two epochal artists who have probed the inextricable relationship of the sacred and profane to dramatic effect—Lucio Fontana, with his radical spatial propositions in the post-war period, and Maurizio Cattelan, with his dystopian pranks for the new millennium. Creator. The exhibition takes its title from Fontana’s climactic painting of the early sixties, its hot pink, egg-shaped surface savaged by the thrusts of a sharp knife. Maurizio Cattelan Lucio Fontana, Concetto spaziale. Concetto spaziale/La Fine di Dio. Hitler created the most diabolical horror witnessed by humankind in modern times; Fontana worshipped and found inspiration in the marvels of the universe, that infinite space where even God could disappear. Inscriptions : S.H.G. Marlborough Galleria d'Arte, Rome A. Spada, Brescia Acquired directly from the above by the present owner in the 1980s. I, p. 80, no. From Rachofsky Private Collection , Lucio Fontana, Concetto spaziale, la fine di Dio (1964), Oil on canvas ... Fontana implemented this theory in his series Concetto Spaziale (‘spatial concept’), punching holes in the picture plane and slicing through his canvases in order to expose the dimensional space beneath. 63 FD 22, illustrated, signed; titled on the stretcher; signed on the reverse. Provenance 63 FD 22, illustrated, Enrico Crispolti, Lucio Fontana, Catalogo Ragionato di Sculture, Dipinti, Ambientazioni, Vol. Both Hitler and Fontana envisioned the end of God but from completely opposite positions. Painting. Photo: Mike Bruce, A few years ago I was in the storage of the US Army Center of Military History in Washington DC and the curator showed me a painting by Hubert Lanzinger, The Standard Bearer from 1935. Concetto spaziale, La fine di Dio. Lucio Fontana, collecting@gagosian.com Save your favorite articles to read offline, sync your reading lists across devices and customize your reading experience with the official Wikipedia app. Gagosian is pleased to announce La fine di Dio at the Davies Street gallery in London, curated by Francesco Bonami. La fine di Dio. Concetto spaziale. CONCETTO SPAZIALE, LA FINE DI DIO. [11][12] In his important series of Concetto spaziale, La Fine di Dio … La fine di Dio reminds of a vast, dark universe with millions of shining stars that seem to be materializing and dispersing at the same time within the oval outline. Estimate . He then created an elaborate neon ceiling called "Luce spaziale" in 1951 for the Triennale in Milan. above mid-estimate. La fine di Dio. Installation view with Maurizio Cattelan, HIM (2001; front), and Lucio Fontana, Concetto spaziale, La fine di Dio (1963; on wall), Artwork, front to back: © Maurizio Cattelan, © Fondazione Lucio Fontana. Acquired from the above by the previous owner in 2012, Brussels, Palais des Beaux-Arts, Lucio Fontana, 1972, no. Auction Venue/Sale Sale Date. 70 by 48 3/8 in. Concetto spaziale/La Fine di Dio is UB Only. 63 FD 22, illustrated, Enrico Crispolti, Fontana: Catalogo Generale, Vol. Realized Price -22%. “Concetto Spaziale, La Fine di Dio” Lucio Fontana | Italian Art auction La Fine di Dio, (1963-1964), est une série d'œuvres crées sur des toiles ovales de taille identique constellées de trous au pinçon et d'entailles qui sont traversant ou pas. Nuovo record mondiale per Lucio Fontana. Fontana Lucio Concetto spaziale La fine di Dio 1963. Source. 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